Our two guests on this edition of ST are Michael Wright and Steven Marzolf. Both are directing plays currently being presented in repertory by the TU Department of Theatre and Musical Theatre; Wright is directing Neil Simon's classic comedy/drama, "Biloxi Blues," which opens tonight, and Marzolf is directing John Murrell's "Waiting for the Parade," which opened last night. Both plays concern the Second World War, yet they differ in some interesting ways --- for example, Simon's play is essentially an all-male saga about coming of age amid the struggles of basic training in the U.S.
We are pleased to welcome to StudioTulsa the inimitable Rebecca Ungerman, the great Tulsa-based jazz and cabaret singer and performer who's been a beloved diva / chanteuse / force of nature on our local music scene for the past twenty years or so. Ungerman is taking her newest show --- an original musical, called "The Unwitting Wife," which includes new as well as older songs (some of which date back to her first recordings or earliest efforts at songwriting) --- to Israel, of all places, for a series of performances.
Our guest on ST is Gary John LaRosa, who will be the guest director for a new production of "Little Shop of Horrors" that the University of Tulsa's Department of Theatre and Musical Theatre will soon present at the Lorton Performance Center on the TU campus.
On this edition of ST, we're talking about the past, present, and future of Theatre Tulsa, one of the oldest arts organizations in the state. Established in 1922, Theatre Tulsa is actually the oldest community theatre west of the Mississippi River. Over the years, it's brought hundreds of productions to the people of Tulsa. It premiered the first-ever community theatre productions of "Our Town" in 1939, "All My Sons" in 1947, and "I Love You, You're Perfect, Now Change" in 1993.
American Theatre Company (ATC), which has been a part of Tulsa's local arts scene since 1970, will soon present "The Comedy of Errors" by William Shakespeare. Our guest on this edition of ST is Lisa Wilson, a longtime member of the Theatre and Drama faculty here at TU, who is directing this production. The play will be staged on the verdant and gorgeous --- and, thank goodness, well-shaded --- lawn of the Philbrook Museum of Art on August 3rd, 4th, 10th, and 11th, with all curtains at 8pm.
On this edition of StudioTulsa, we are joined by Dan Call and David Blakely, two Tulsa-area theatre veterans who are involved with a new musical, "Hank the Cowdog and Monkey Business," which is being presented by Tulsa Repertory Musicals as part of the SummerStage series at the Tulsa PAC. It's a family-friendly show that's been adapted from one the titles in the popular (and long-running) "Hank the Cowdog" series of children's books by John Erickson; it will play in the PAC's Doenges Theater from today (the 21st) through Sunday (the 24th).
Eric Gibson, artistic director of LOOK Musical Theatre, is the guest on this edition of StudioTulsa. LOOK is an anchor for the Tulsa Performing Arts Center Trust's annual Summerstage Festival (which happens each June and July).
On this edition of ST, which originally aired back in March, we speak with Jamal Joseph, whose new memoir is "Panther Baby: A Life of Rebellion and Reinvention." This engrossing autobiography --- a gritty yet hopeful hybrid of coming-of-age candor, street-savvy wisdom, and recent socio-political history --- follows Jospeph from his early years in the Bronx and Harlem, to incarceration stints in Riker's Island and then Leavenworth, to the Film School faculty of Columbia University.
[Aired on Thursday, March 1st.] Today, we speak with Jamal Joseph, whose new memoir is "Panther Baby: A Life of Rebellion and Reinvention." This engrossing autobiography --- a gritty yet hopeful hybrid of coming-of-age candor, street-savvy wisdom, and recent socio-political history --- follows Jospeph from his early years in the Bronx and Harlem, to incarceration stints in Riker’s Island and then Leavenworth, to the Film School faculty of Columbia University.