It’s down to the wire at Wimbledon, the men’s finals are on Sunday, the women’s on Saturday. And some of the biggest names will not be participating, because there have been a lot of upsets—Roger Federer, Rafael Nadal, Serena Williams and Maria Sharapova all lost in the early rounds. These upsets had linguist Ben Zimmer thinking about the use of the word “upset.”
And that got him thinking about a horse race in 1919.
We assigned our trusty interns to document the feeling of watching fireworks on the National Mall in Washington, D.C. They focused on the crowd's reactions while basking in the warm glow of the display. The images capture the gasps and sheer amazement from spectators of all ages.
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World-class snowboarder Kevin Pearce suffered a severe brain injury in a brutal 2009 crash captured by cameras he and his teammates were wearing. His road to recovery — and to a new sense of self — is the central narrative thread of the documentary The Crash Reel.
Credit Christian Stadler / HBO Pictures
High-energy footage evokes the thrills viewers crave from watching extreme sports — and suggests the audience's complicity in the crashes and injuries that are the inevitable cost.
"You need to be prepared for the Kevin who comes back not to be the same Kevin."
That's what a doctor told the parents of snowboarder Kevin Pearce following the brain injury he suffered in late 2009, while training for the Vancouver Olympics.
Those words, simple but painful for a parent to hear, are essentially what Lucy Walker's moving documentary, The Crash Reel, is about: the way traumatic brain injuries — wounds that, after recovery, can seemingly be invisible — leave their victims no choice but to be different people.