Fresh Air's Terry Gross has been listening to jazz singer Susie Arioli since she first heard Arioli's 2002 album Pennies From Heaven. Arioli is Canadian and has a big following there, but she's not well known in the U.S., and hasn't toured in many American cities. So when Arioli and her longtime guitarist and arranger, Jordan Officer, stopped in for an in-studio concert and conversation, Gross was thrilled.
Originally published on Wed October 24, 2012 12:35 pm
Opera: the stuff of passion, fury, sorrow and ... disquisitions on jurisprudence?
Maybe, if a panel discussion at the just-finished annual meeting of the American Bar Association is to be believed. Called "Arias of Law: The Rule of Law at Work in Opera and the Supreme Court," the session, which was created and moderated by Craig Martin of Jenner & Block LLP, featured U.S. Supreme Court Justice Ruth Bader Ginsburg; Anthony Freud, general director of Chicago's Lyric Opera; and U.S. Solicitor General Donald Verrilli Jr.
Originally published on Wed August 8, 2012 9:58 am
Here's a pairing that raises the question: "Why hasn't this happened before?" The Bad Plus have been a revisionist cover band and today mostly make original piano trio music sui generis. Bill Frisell is the quintessential jazz collaborator: The guitarist, making the second of three appearances at this year's Newport Jazz Festival, is down for anything involving good musicians, and can be counted on to execute it well. Together, they paid tribute to one of their mutual heroes, the late drummer Paul Motian, in a set comprised mostly of his haunting compositions.
Originally published on Fri October 5, 2012 9:41 am
A classic male singer, Kurt Elling has an old-school vibe to everything from his mannered stage banter to his declamatory, full-chested delivery. But he isn't afraid to write brainy, twisty lyrics over an obscure jazz number, or take a pop song back to the drawing board. He can do a lot with his voice, you see, and the band featuring long-time collaborator Laurence Hobgood, a pianist, helps to set the stage.
The Mom and Dad's Record Collection series on All Things Considered continues with a memory of music and family from the Pulitzer Prize-winning columnist and authorLeonard Pitts.
Pitts says his childhood mischief was set to the music of Nat King Cole, often courtesy of his mother's own voice. One afternoon, he remembers, she was singing "Don't Get Around Much Anymore" while he played out back.
One of the toughest tricks for a singer to pull off is putting a fresh face on each composer in a program. All too often, the Handel starts sounding like the Mozart, which in turn takes on too much of the Verdi and it all becomes indistinguishable.