Kenneth Pattengale and Joey Ryan were doing just fine as solo performers. Then one night, Ryan walked into a bar where Pattengale was playing.
"I heard Kenneth perform a song that he had written from the perspective of a dead dog, only very recently having been hit by a truck," Ryan says, wryly. "And it was that sort of uplifting material that drew us together."
Originally published on Wed March 27, 2013 9:13 am
Listening to The Milk Carton Kids on an album is one thing; watching the band work its magic live is another. This performance of "Hope of a Lifetime," the opening song on The Ash & Clay, was filmed at the Folk Alliance conference in Toronto. With its elegantly phrased messages about growth and the complexity of progress, "Hope of a Lifetime" moves delicately and thoughtfully.
Tune in for the upcoming edition of All This Jazz, which begins on Saturday the 23rd at 10pm Central on Public Radio 89.5-1. As is our happy custom each and every Saturday night from ten till midnight, we'll offer modern jazz both recent and classic.
And our second-hour theme for the program will be (cue the chirping birds and budding flowers) "Spring." Thus we'll hear such classic jazz themes as "Joy Spring" and "It Might as Well Be Spring" and "Up Jumped Spring" --- as well as "Spring Ahead" by Dave Douglas and "Passion Spring" by Kenny Dorham (see LP cover herewith).
Matt Munisteri is a guitarist, vocalist and composer with an ear for a bygone era. A masterful and mainly self-trained musician in high demand, he has arranged for and performed with artists including Mark O'Connor, Julian Lage, Catherine Russell and Diana Krall.
Canadian pianist, singer and songwriter Diana Krall grew up in a town called Nanaimo on Vancouver Island in British Columbia. Both her father (who collected jazz records and played a bit of stride piano) and her mother (also a pianist) encouraged her interest in jazz and exposed her to all of the great players. She began studying the piano at age 4 and had several small jazz groups while in high school.
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work atArtworld Salon and on his own site.
It's Friday night in Bamako, and a club in the Malian capital has come alive. Guitarist and singer Baba Salah is on the floor.
His hometown of Gao, along the banks of the River Niger on the fringes of the Sahara Desert, made headlines as the first city in the north to be liberated by French-backed Malian forces in January. Gao was one of three regional centers in the north captured by rebels and jihadis a year ago. Islamists warned musicians that their tongues would be sliced out if they continued to sing and play. Speaking in French, Salah says artists left in a hurry.
Originally published on Thu October 17, 2013 2:09 pm
When Chris Lightcap was a student in the Berkshires, he'd put his bass in his car and drive down the river to New York City, south on the Taconic to the Sawmill, over the Henry Hudson Bridge, up on a soaring bluff with a great view to the right of the New Jersey Palisades and George Washington Bridge and New York City coming up on the left. Right about there, Lightcap would ask himself, "What would it be like to live here?"