It is not easy to play both jazz drum set and Afro-Caribbean percussion. Lots of drummers do it, but few have mastered it in a way that makes their sound in either style unmistakable from the first beat.
The music community lost one of those true innovators Wednesday with the death of percussionist Steve Berrios in New York at age 68. Berrios could move seamlessly from jazz to Afro-Cuban rhythms in a way that perfectly reflected his bicultural roots.
Originally published on Sun August 4, 2013 9:02 am
The Newport Folk Festival is a little like summer camp — crowded, loud, fun, full of a lot of your favorite people — and you never want to leave. On this year's last day artists said goodbye by coming together.
When Colin Meloy put The Decemberists on long-term hiatus to focus on other projects — including his own set at this year's Newport Folk Festival — the remaining members needed their own fresh musical outlet.
Dana Falconberry's songs are gentle, almost invariably delicate, sometimes mysterious and frequently feather-light. But her music's sweet, intricate softness never stands in for strength: This is a confident songwriter, whether she's ambling through six- and seven-minute epics ("Leelanau," "Dolomite") or chirping sweetly in the bouncy "Crooked River."
Rising Brooklyn folk-pop band The Lone Bellow infuses its songs with charm, radiant hooks and intense emotions. Formed as a creative outlet for singer Zach Williams as his wife recovered from an accident that nearly paralyzed her, The Lone Bellow performs with a sense of necessity; given the circumstances, it's no surprise that the group so often reflects on redemption in memorable ways.
Cary Ann Hearst and Michael Trent have spent the last decade or so singing sweetly, rowdily anthemic folk-country music together, most recently under the name Shovels & Rope. But the South Carolina husband-and-wife duo has only recently begun to take off on a national scale, thanks to a string of fantastically stirring live performances and a fi
It's been too long since we simply sat up and pointed out a few of the many new releases worth a set of ears. Luckily, the staff on weekends at All Things Considered thought the same. They invited me to sit down with host Jacki Lyden and play a few cuts for them.
Here's music from an elder statesman of piano, a trumpeter who understands creole music personally, a drummer who writes tunes with a payoff, and a singer in her early 20s with maturity and kick.
Hear The Full Set: Hurray For The Riff Raff At Newport
The New Orleans band Hurray for the Riff Raff exists as a vehicle for the powerhouse songs of singer-songwriter Alynda Lee Segarra, whose gigantic voice conveys the grit of bluesy soul while still fitting within the realms of rootsy folk and country. The group just followed its dynamite 2012 album Look Out Mama with a Kickstarter-funded collection of covers (and two originals) called My Dearest Darkest Neighbor.