On this episode of Piano Jazz, pianist and 2013 NEA Jazz Master Eddie Palmieri brings along bassist Hugo Duran and percussionists Jose Claussell, Richie Flores, and Mark Quinones for a raucous set of original tunes with an Afro-Caribbean flavor.
Originally published on Fri April 12, 2013 12:11 pm
"Deep inside the heart of this crazy mess, I'm only calm when I get lost within your wilderness."
That's a key line in this song, "Joy," by Iron and Wine, the project of Sam Beam. Sam is a songwriter who has a way of making the personal very universal. It's also the line that piqued the interest of director Hayley Morris, who made a video for "Joy." Morris writes to us:
Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.
Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work atArtworld Salon and on his own site.
Alan Lambert here. This week on Big Band Saturday Night...a guy who blew that smooth cornet for some of the best in big band: Glenn Miller and Benny Goodman as well as his own orchestra. Join me for the story and tunes of Bobby Hackett! You will be musically inspired.
Big Band Saturday Night at 8 o'clock on Public Radio 89.5-1 FM. Join me!!
Chamber Music in Oklahoma presented the third of their concerts this season featuring guest violinist Rachel Barton Pine and guest pianist Matthew Hagle on Sunday, February 17th. These two artists, who both live in Chicago and play often together offered a recital of richly varied repertoire for violin and piano. The program opens with Ludwig van Beethoven's Sonata in E-flat Major, Op 12, No. 3, a work of grandeur and power not often found in pieces from the composer's early years.
By 1928, Earl Hines was jazz's most revolutionary pianist, for two good reasons. His right hand played lines in bright, clear octaves that could cut through a band. His left hand had a mind of its own. Hines could play fast stride and boogie bass patterns, but then his southpaw would go rogue — it'd seem to step out of the picture altogether, only to slide back just in time.
Originally published on Mon November 25, 2013 9:11 am
The Umbria Festival in Italy turns 40 this summer. Umbria presents jazz indoors and out in two historic cities — Perugia in summer, Orvieto in winter. Marching bands parade; gospel choirs sing. Concerts start at noon, midnight and all the hours in between. (The New Year's Eve show in Orvieto begins at 1 a.m. on New Year's Day.) And the musicians can be delightfully unfamiliar, at least to American ears.
Bonnie 'Prince' Billy makes his first appearance on Mountain Stage, recorded before a sold-out audience in Charleston, W.Va. A highly regarded singer-songwriter who remains willfully outside the mainstream, Bonnie 'Prince' Billy — one of the many stage names for Will Oldham — has been known to West Virginia audiences since 1987, when he co-starred in John Sayles' film Matewan.
Freshlyground has been one of the most talked about bands out of post-apartheid South Africa. One reason is the voice of lead singer Zolani Mahola. Mahola is a powerhouse; she and six other black and white musicians from around southern Africa make up the group. They came together in 2002 to forge a new sound, repackaging folk roots and classic African pop with a slick veneer of international pop production.