Seventy-five years ago, an American institution was born: Tanglewood, the summer home of the Boston Symphony Orchestra, a cultural mecca to arts lovers and the musical refuge for generations of young artists.
C'est la saison de jazz à Montreal! Starting Thursday night and running through next weekend, Francophone Canada's cultural metropolis hosts its grand prix: the Montreal International Jazz Festival. The self-proclaimed "largest jazz festival in the world" casts a musical spell over the city, across 10 outdoor stages, 15 concert halls and clubs galore with more than 1,000 shows.
Almost 20 years ago, a young student at the National University of Mexico went in search of a very old instrument in the mountains of the southern state of Oaxaca. Today, he has become a leading force in the revival of the instrument called the bajo quinto and the music played on it.
Ruben Luengas was working on a research project at the National School of Music in Mexico City in 1995. He wanted to focus on the music of his hometown, in the Mixtec region of Oaxaca, so he asked his 97-year-old grandmother to tell him about the music played at her wedding.
The music of Solas is always exciting perhaps because it's constantly evolving. Meet Seamus Egan and Win Horan who chat about their roles in shaping Irish-America's most influential band and share loads of their music with us.
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Originally published on Tue September 18, 2012 3:41 pm
For New York Polyphony, it's location, location, location. The four-man vocal ensemble thrives on music from the Renaissance, much of it designed for cavernous, reverberant spaces. Think voices soaring through arched cathedrals. But madrigals by Flemish composer Orlando di Lasso, with their more intimate storytelling vibe, are suited for smaller venues — like, say, the living room of New York Polyphony bass Craig Phillips.
Like the music of his good friend Béla Bartók, Scottish composer Erik Chisholm's two piano concertos rely heavily on folk sources. But in Chisholm's case, the influences come from Scotland and India rather than Bartók's beloved Eastern Europe.