Starting back in 2000, or thereabouts, Universal Music France, the French cousin of the current guise of the long-running jazz record label known as Verve, inaugurated a wonderful series of reissued recordings: the "Jazz in Paris" series. These CDs were made available in the States as well as the Continent.
Originally published on Tue September 18, 2012 4:11 pm
Maybe you remember when you first realized that the rabbit hole of jazz was far, far deeper than you'd possibly imagined. That the same tenor saxophone player on Kind of Blue also made Blue Train and Giant Steps and A Love Supreme and Interstellar Space and dozens of other albums and who knows how many guest appearances, and that that was just what people recorded of John Coltrane. And that all those records involved scores of other contributors, who in turn played with scores of other people over scores of years.
Originally published on Wed October 24, 2012 12:26 pm
Very touching: the ailing Van Cliburn addressed the Fort Worth audience at the concert celebrating his competition's 50th anniversary: "I personally want to thank you all for all of your faithful support. Never forget that I love you all from the bottom of my heart forever."
Originally published on Tue February 26, 2013 10:49 am
Michael Cerveris and Loose Cattle make their first appearance on Mountain Stage, recorded live at the Keith Albee Theater in Huntington, W.V. A Huntington native, Cerveris worked at the Keith Albee as a young man, popping popcorn for patrons in the theater's basement. Since then, he's gone on to become one of Broadway's most respected vocalists.
Originally published on Wed December 12, 2012 1:39 pm
When Joshua Redman plays Boston, it's a homecoming. He graduated Phi Beta Kappa from Harvard University and quickly won the 1991 Thelonious Monk International Saxophone Competition. Warner Brothers signed him to make a string of successful albums.
Here's a typical Saturday night for a music fan in Manhattan: You go grab some dinner, and then go to a show. You hang out there for an hour or two, enjoy the music and then leave, right? But what would happen if, instead, the musicians onstage took turns soloing for an hour or more apiece, and you wound up staying until dawn?
Samir Chatterjee is a tabla player, and every spring, he invites musicians from India and elsewhere to come to New York for marathon concerts that start in the early evening and last all night long.
Originally published on Fri September 21, 2012 4:07 pm
When the Americana Music Association convenes in Nashville on Sept. 12-15 for its annual conference, it'll be met by another incredible year of festival performances and showcases. While the daytime panels and discussions reflect the organization's dedication to its mission, the nighttime showcases, parties and concerts are what will make the passion of the genre so difficult to ignore.