"Every one of us has a story in his heart... Storyteller, tell us stories to make us forget our reality. Leave us in the world of once upon a time."
So go some of the lines from "Raoui" ("Storyteller"), the opening song in this Tiny Desk Concert with Algerian singer-songwriter Souad Massi. Performing in a mix of North African Arabic, Berber and French, Massi has carved out a life for herself as just such a storyteller. Her unflinching, deeply intimate songs — paired with her beautiful, cool light-beam of a voice — belie the struggles she's endured to make her own stories heard.
Algerian singer and guitarist Souad Massi paid a visit to the U.S. recently, touring to celebrate the 50th anniversary of Algeria's independence. While in D.C., she stopped by NPR's headquarters to play a Tiny Desk Concert.
After the show, she came downstairs to chat with Weekend Edition Sunday, carrying a guitar on her back. Massi says she's never without one and doesn't really care if it's an acoustic or electric.
It now seems like a natural rite of summer — open-air classical music festivals where audiences can hear great music while picnicking under the stars. But 75 years ago, when the Boston Symphony first performed on a former estate called Tanglewood in the Berkshire Mountains of Western Massachusetts, it was a novel idea.
Originally published on Mon August 20, 2012 3:05 pm
Three-time Grammy award-winning singer-songwriter Shawn Colvin is a contemporary folk legend. Colvin started playing guitar at the age 10 and went on to cut her teeth on the folk circuits of Illinois and San Francisco before moving on to the Fast Folk cooperative of Greenwich Village in New York City. During her solo music career, Colvin has appeared in off-Broadway shows and episodes of television shows such as The Simpsons and Treme.
For Dave Samuels, the love of his first two instruments — the drums and then the piano — naturally led him to the vibraphone. Samuels' gift for evocative melody and his rhythmic versatility make him one of the leading mallet players of his generation, empowering him to swing from the classic-cool sounds of Stan Getz and Gerry Mulligan to the contemporary rhythms of The Yellowjackets, Spyro Gyra and his Caribbean Jazz Project.
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.