Born in 1928, Fats Domino enjoyed the first of his many hits — almost all of which were created in New Orleans — when "The Fat Man" rose up the R&B charts all the way to No. 2. That was in 1950. Which explains all the records on the wall at his house, and the regal status he is afforded.
That, and other musical explainers, are in our latest Treme music recap, with WBGO's Josh Jackson.
Peter Gabriel has just finished up the 25th-anniversary tour of his blockbuster album So. Manu Katche, the drummer who provided the driving beats for "Sledgehammer" and other songs from that record, was right there with Gabriel, helping him celebrate.
As he often does when the weather's decent, Pete Seeger recently played a free show outdoors in Beacon, N.Y. A few dozen people packed around the stage that held Seeger, his ever-present banjo and a small band; a group of kids in red T-shirts clustered down in front, singing along. The emcee for the afternoon was Susan Wright, the music teacher at Beacon Elementary School, where Seeger visits regularly.
An announcement: The end-of-the-week recap, formerly "Around The Jazz Internet" or "The Friday Link Dump," has a new name. Musicians will know that a "lead sheet" is a melodic sketch with chord changes, a reference guide for when you don't know the tune by heart. Here's what you ought to read from this week:
Uff da: Along with the Minnesota Orchestra, the St. Paul Chamber Orchestra has also locked out its musicians, leaving the Twin Cities bereft for now. "Players at the St. Paul Chamber Orchestra did not vote on an offer from management, and the board of directors shut the doors and canceled concerts through Nov. 4 ... So for the first time since the SPCO launched in 1959, neither orchestra will be playing for at least the next two weeks."
I just saw Red Baraat play their new song, Shruggy Ji, at a brand new club in Washington, D.C. I don't think the incessant go-go rhythm fell on any deaf ears here in the birthplace of go-go. It certainly didn't for me, just blocks away from the record store where I worked, and where we'd blast go-go bands like Trouble Funk and Chuck Brown, back in the late '70s. For the Brooklyn nine-piece, this sound isn't a sharp right turn. Their mix of music already goes from Indian bhangra, (itself a mix of Punjabi music and western music) to New Orleans big band music.