Performance Oklahoma presents editions 7 & 8 of the 2012 OK Mozart Chamber Music Broadcast Series! In the first hour violist Paul Neubauer joins pianist Orion Weiss to play the Marchenbilder Op 113 and the Romance Op 94 No.
Hear All Songs Considered Hosts Bob Boilen And Robin Hilton On 'Emmaar'
How do you build on the reputation that has made your band the most visible ambassador of an entire people? For its seventh international album, Emmaar, Tinariwen has some striking ideas that were born out of both creativity and absolute necessity.
Originally published on Fri February 7, 2014 2:29 pm
New Orleans is a tricky place to put into song. To a degree matched only by California and New York City, the Big Easy makes and is made by the American geographical zeitgeist, and has captured the imaginations of songwriters since its founding. It seems massively daunting, if not impossible, to tell a story about Storyville that hasn't been told before.
Duke Ellington added more than 3,000 songs to the American music vault before his death in 1974. He also started composing what he hoped would be a great American street opera — which composers have spent 40 years adapting, trying to figure out what the Duke wanted for his unfinished opus.
But before you imagine soothing arias or boisterous trills and vibrato, let me stop you: Ellington's opera is very much a work of jazz.
Originally published on Sat February 1, 2014 2:47 pm
Pete Seeger was a lanky banjo player who showed up at every rally, every singalong, every town meeting, for as long as anyone could remember. He came singing songs of dissent; songs that helped to find the courage to change.
Composer Dmitri Shostakovich called it a perfect masterpiece without ever having seen it performed. The Passenger, an opera about the Holocaust, was written nearly half a century ago, but was only given its first full performance just three years ago.
Now it's getting its U.S. premiere at the Houston Grand Opera. The opera is based on a story by a Holocaust survivor, with music by Mieczyslaw Weinberg, a composer who lost his entire family in the Nazi death camps.
On this episode of Piano Jazz, composer and keyboardist Herbie Hancock stops by in a program recorded in 1987. The ever-inventive Hancock sticks with the acoustic piano for this set of solos and duets with host Marian McPartland. Hancock performs a mix of his originals — "Dolphin Dance" and "Still Time" — and standards including "Limehouse Blues," "It Never Entered My Mind" and "That Old Black Magic."
Here's hoping you can join us for the next edition of All This Jazz, beginning at 10pm on Saturday the 1st, right here on Public Radio 89.5-1. (Note that you can learn more about our show and always get the latest playlist information at this link.) We'll also offer, as ever, a 7pm re-broadcast of ATJ on Sunday the 2nd on Jazz 89.5-2, which is Public Radio Tulsa's all-jazz HD Radio channel.