As the 1970s punk scene was turning the corner into a new decade, Joe Jackson showed them the way with a pair of essential new wave albums, Look Sharp! and I'm the Man.
But as soon as fans thought they knew the angry young Brit with the sharp suits and even sharper commentary, Jackson changed. His Gershwin-esque piano music became huge hits in the '80s, but then he changed again.
For a metro area of only about 3.5 million people, the Twin Cities region is unusual in the way it supports not one, but two world-class orchestras. Now, with looming deficits on the horizon and musicians' contracts at both the Minnesota Orchestra and the Saint Paul Chamber Orchestra expiring Sept. 30, the Twin Cities may have two orchestras on strike.
Starting back in 2000, or thereabouts, Universal Music France, the French cousin of the current guise of the long-running jazz record label known as Verve, inaugurated a wonderful series of reissued recordings: the "Jazz in Paris" series. These CDs were made available in the States as well as the Continent.
Originally published on Tue September 18, 2012 4:11 pm
Maybe you remember when you first realized that the rabbit hole of jazz was far, far deeper than you'd possibly imagined. That the same tenor saxophone player on Kind of Blue also made Blue Train and Giant Steps and A Love Supreme and Interstellar Space and dozens of other albums and who knows how many guest appearances, and that that was just what people recorded of John Coltrane. And that all those records involved scores of other contributors, who in turn played with scores of other people over scores of years.
Originally published on Wed October 24, 2012 12:26 pm
Very touching: the ailing Van Cliburn addressed the Fort Worth audience at the concert celebrating his competition's 50th anniversary: "I personally want to thank you all for all of your faithful support. Never forget that I love you all from the bottom of my heart forever."