Originally published on Sat February 23, 2013 10:31 am
Film scores are, by and large, manipulative. They do their work at the periphery of the senses, signaling danger, heralding victory, prodding us toward fear and joy in time with the unfolding story. Crucially, they are also empathic, letting us in on what the actors' words or faces may not convey. And when things get unpleasant, the score can step in as an emotional buffer — a layer of unreality between us and the action that lets us know we're safe. Sunday night at the Oscars, Hollywood will honor a film whose music manages to get all these things right.
Tune in, dear listeners, for All This Jazz, which kicks off at 10pm Central, come Saturday the 23rd, on Public Radio 89.5-1. As ever, we'll offer two hours of modern jazz, both recent and classic.
And with the 85th Academy Awards ceremony scheduled for Sunday night on ABC-TV, our second-hour theme on the program will be "Jazz Goes to the Movies." We'll therefore dig some terrific, ever-so-tuneful jazz takes on the music of Max Steiner, Alex North, Jerry Goldsmith, Quincy Jones, and other great film composers.
Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.
Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Sat February 23, 2013 4:47 pm
The Harlem Renaissance of the 1920s inspired several black artists to explore their African heritage and the black experience in America, from enslavement to life after emancipation and migration to cities in the north. In the musical world, pianist James P. Johnson composed Yamekraw: A Negro Rhapsody, a 12-minute portrait of a black community in Savannah, Ga. Yamekraw was orchestrated for a 1928 performance at Carnegie Hall by black composer William Grant Still, who would write his own Afro American Symphony in 1930.
Guitarist and singer Chris Porterfield has done a lot of soul searching since his previous band, DeYarmond Edison, broke up in 2006. Other guys in the group went on to start their own projects — Justin Vernon formed Bon Iver, while some of the other members formed Megafaun. Porterfield, meanwhile, hung back in his native Milwaukee and took a job as a student union administrator at Marquette Univeristy.
Watching Jose James perform live was one of the most remarkable experiences we've had at our intimate in-studio sessions.
The soulful jazz singer blends his powerful vocals with hip-hop beats, smooth R&B choruses and an equally talented backing band. You'll never hear James' songs the same way again after hearing them live.