Music

Last week we asked you to do some musical soul-searching — and boy, did we get responses. In the first day, 250 people commented on the blog post "You Are What You Hear: What Your Favorite Music Says About You." Several thousand more comments have since rolled in via social media.

Saxophonist Branford Marsalis, oldest son of New Orleans pianist and educator Ellis Marsalis, released an album with his quartet this week. He spoke to weekends on All Things Considered host Guy Raz about the failings of modern jazz, his hopes for the next generation and leaving New York City to move back to the South.

All summer long, Weekend Edition has been sampling the sounds of America's street musicians. The latest to catch our ear is Alexis Dawdy, a young violinist who returned to her hometown of Lansing, Mich., to study at Michigan State University — and do a little busking on the side.

"I'm actually not a music major. This is really a hobby that accidentally became a profession," Dawdy says. "I'm studying linguistics, and I'm 17 credits out from graduation. My goal is to do it debt-free, and this helps a lot. This pays for books and this pays for food."

The up-tempo string band Scythian makes its first appearance on Mountain Stage, recorded live on the campus of West Virginia University in Morgantown. Featuring twin fiddles and energy to spare, Scythian sets itself apart from other traditional bands by blending Celtic music and bluegrass with touches of French Canadian, zydeco and gypsy styles, a product of founder Alexander Fedoryka's Ukrainian ancestry.

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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. You can see more of his work at Artworld Salon and on his own site.

• Broadway and film legend Marvin Hamlisch died Monday in Los Angeles at age 68. Also the pops conductor for the Pittsburgh Symphony Orchestra, the Milwaukee Symphony Orchestra and the Dallas Symphony Orchestra, he began studying at Juilliard at age 7 — and at the time, he was the youngest student to be accepted at there. "My big thing at Juilliard — because I hadn't taken that many piano lessons at that point — was not that I could play Bach or Beethoven, but that I could play 'Goodnight Irene' in any key," Hamlisch told NPR's Scott Simon in 1987.