On this edition of our show, we speak with Max McLean, the producer and director of "The Screwtape Letters" --- he also formerly starred in this production --- which will be staged at the Broken Arrow Performing Arts Center on Saturday the 5th at both 4pm and 8pm. This is a theatrical adaptation of the C.S. Lewis novel of the same title, which is a widely cherished little book (commonly seen as a masterpiece, and dating from the early 1940s) that presents letters written by one of Satan's leading demons (named Screwtape) to his nephew (named Wormwood).
On today's show, we speak with Courtneay Sanders, artistic director of The Playhouse Tulsa, which has recently begun its new season with a funny play called "I Hate Hamlet" by Paul Rudrick. The play will be staged in the Williams Theatre at the Tulsa PAC through Saturday the 14th.
LOOK Musical Theatre, a revered nonprofit that began as the Gilbert & Sullivan Society of Tulsa (with "LOOK" later signifying Light Opera Oklahoma) is currently marking its 30th season; the organization was founded in 1983 by John and Jane Carmichael Everitt in association with The University of Tulsa. Every June, LOOK presents professional performances in repertory fashion; these shows are produced and staffed by dozens of professionals: artistic, technical, and marketing personnel from regions both local and national.
On this edition of ST, we listen back to an interview that first aired in May of last year. At that time, we spoke with Dr. Ricki Lewis, a geneticist, journalist, professor, and genetic counselor. She's also the author of one of the most widely used college textbooks about genetics --- "Human Genetics: Concepts and Applications" --- and her latest book, now out in paperback, is "The Forever Fix: Gene Therapy and the Boy Who Saved It." Dr.
On this edition of StudioTulsa, we speak with Paasha Mahdavi, who is currently a doctoral candidate in the Department of Political Science at UCLA. As part of the University of Tulsa Collins College of Business Lecture Series, Mahdavi will deliver a free-to-the-public talk on "Oil Politics in the Islamic Republic of Iran" on Wednesday the 13th at 7pm in the Tyrrell Hall Auditorium on the TU campus. Mahdavi's ongoing research concerns the study of national oil company governance and the political consequences of oil nationalizations, and he joins us today by phone.
The widely praised "Models & Muses: Max Weber and the Figure" exhibit at the Philbrook Museum of Art here in Tulsa will close on February 3rd. On this installment of ST, we revisit this terrific show --- the first museum survey of Weber's work in two decades, and an exhibition which originated at Philbrook --- in order to explore one aspect of Weber's long and influential career in American modern art. Namely, that aspect is his relationship with Mark Rothko, the pioneering abstract painter who, while still a young man, was briefly a student of Weber's in the middle 1920s.
On today's edition of ST, an interesting discussion with the Ohio-based artist Cecile Baird, who is currently the ARTworks Featured Artist at Holland Hall School in Tulsa. A master of the colored-pencil medium, Baird has recently been working with art students at that school --- and several of her striking, well-rendered, nearly photo-realistic works will be on view at Holland Hall's Holliman Gallery (in the Walter Arts Center on the HH campus) through November 26th.
On this installment of StudioTulsa, we welcome back Scott Perkins, a curator at the Price Tower Arts Center in Bartlesville, who tells us about a fine exhibit currently on view at the Price Tower called "From Process to Print: Graphic Works by Romare Bearden." Bearden (1911-1988) is widely regarded as one of the most important African-American artists this country has produced; he made art works in a range of media and was also a gifted writer, a cherished mentor to younger generations of artists, a tireless arts advocate, and a prominent intellectual and collaborator within the artistic/cu