On today's edition of ST, an interesting discussion with the Ohio-based artist Cecile Baird, who is currently the ARTworks Featured Artist at Holland Hall School in Tulsa. A master of the colored-pencil medium, Baird has recently been working with art students at that school --- and several of her striking, well-rendered, nearly photo-realistic works will be on view at Holland Hall's Holliman Gallery (in the Walter Arts Center on the HH campus) through November 26th.
On this edition of ST, we welcome Dr. Nicholas Carnes, an Assistant Professor of Public Policy at the Sanford School of Public Policy at Duke University. He's a 2006 graduate of The University of Tulsa; in 2011, he received a doctorate in Politics and Social Policy at Princeton University. Last week, Dr. Carnes presented two lectures as part of TU's Distinguished Alumni Lectureship in Law and Politics. The talks he delivered were entitled "What's the Matter with Law School?
We are pleased to welcome to ST Alfonso Martin, a Principal Dancer with Tulsa Ballet who first joined the company in 1998 as a Demi-Soloist. This season, Martin's 14th with TulsaBallet, will be his last; he's decided to "go out while still on top" in terms of his retirement from dancing.
Our guest on this installment of ST is Dr. Stuart Rockoff, who will give the annual Cadenhead-Settle Lecture --- presented by TU's Department of History every fall --- tomorrow night (Wednesday the 24th) here on the University of Tulsa campus. The lecture will begin at 7pm in the Tyrrell Hall Auditorium; it's entitled "Bagels and Grits: How Jews Found a Home in the South." Dr. Rockoff is Director of the History Department at the Goldring/Woldenberg Institute of Southern Jewish Life in Jackson, Mississippi.
On this installment of ST, which first aired in July, we're looking back on the life and music of the late Doc Watson, who died in late May at the age of 89. Watson was a truly legendary guitarist and singer whose work in the realms of folk, bluegrass, country, blues, and gospel music won him several Grammy Awards and universal acclaim. Despite being blind from infancy, he had a long, highly influential career; his guitar-playing (and especially his flat-picking skills) as well as his vast knowledge of traditional American music were, and still are, considered unequaled.
On this edition of ST, we chat with our friend and colleague, John Wooley, who's been hosting his popular "Swing on This" western swing program on Public Radio Tulsa KWGS 89.5-1 for the past nine years or so. This show is heard every Saturday night at 7pm, and this coming Saturday, the 13th, John host a special, two-hour broadcast of his program, LIVE from the historic Cain's Ballroom in downtown Tulsa.
Our guest on ST is Gary John LaRosa, who will be the guest director for a new production of "Little Shop of Horrors" that the University of Tulsa's Department of Theatre and Musical Theatre will soon present at the Lorton Performance Center on the TU campus.
Our guest is Jeanne Marie Laskas, the director of the writing program at the University of Pittsburgh. She's also an acclaimed and accomplished journalist whose writing has appeared in GQ, The Washington Post Magazine, Smithsonian, and Esquire, among other publications.
He's a familiar and award-winning Hollywood actor, as well as an acclaimed director and producer. He's also (who knew?) a highly successful children's book author. Our guest on ST is Bob Balaban, who tells us about his newest book, "The Creature from the Seventh Grade: Boy or Beast" (Penguin Young Readers Group). In this funny, tween-friendly tale, we meet Charlie Drinkwater, a middle-school kid who's probably among the least popular --- and least noticed --- boys in his class.
On this installment of StudioTulsa, we speak by phone with Matthew Yglesias, one of the nation's most widely-read political bloggers and columnists. Yglesias is a business and economics correspondent for Slate in Washington, DC, where he writes the Moneybox blog. He was previously a fellow at the Center for American Progress, an associate editor at The Atlantic, and a staff writer for the American Prospect.