Whenever Tyler Perry is in front of the camera, he's usually behind it as well. A screenwriter, director, producer and star, Perry grew up poor in New Orleans, but he has become a movie phenomenon — he was described in the New Yorker as the most financially successful black man the American film industry has ever known.
Few stories in the 20th century are more tragic than the fate of Cambodia, a small, peaceful country on the sidelines of the war in Vietnam. Cambodia would be invaded by both sides, carpet-bombed by the United States, taken over by murderous Maoists, invaded again by the Vietnamese and left to wither for a decade by a grotesque, international impasse.
In three weeks, millions of Americans cast their vote for president in an election that both campaigns depict as a stark choice between two fundamentally different visions for the country. But the chief executive's power is limited in real ways, by Congress, foreign interests, and other players.
For older drivers and their families, the conversation about giving up the car keys can be wrenching. Driving, for many, means independence and the transition to life without a car can be challenging, particularly for those who live alone or in areas with limited access to public transportation.
Originally published on Mon October 15, 2012 1:41 pm
If you're one of the few viewers still confused about what Treme is saying about art, do note this episode's "play-within-a-play" staging of Samuel Beckett's Waiting for Godot. The existentialist play revolves around two characters, Vladimir (nicknamed Didi) and Estragon (called Gogo), who wait interminably for a mysterious "Godot" by a desolate country road. It's clearly meant to parallel New Orleans residents' wait for essential social services, complete with the barren backdrop of the city post-Katrina.